I have always loved the small, delicious friction that happens when two books—separated by time, geography or reputation—begin to argue with each other on the page. Pairing an overlooked novel with a contemporary reply is one of my favourite ways to read: it sharpens themes, exposes blind...
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Reading Guides
I first encountered a mid-century novel that had been quietly collecting dust...
Interviews
Interviewing a translator is one of the quiet pleasures of literary work: you...
Deep Reads
It begins, often, with a fragment: a single sheet of paper, a smudged date in...
Reading Guides
I love setting myself a small, intense reading mission: seven days, one region,...
It begins, often, with a fragment: a single sheet of paper, a smudged date in the corner, a sentence that looks ordinary until you realise it reframes everything you thought the novel meant. I remember the first time I felt that jolt. I was alone in...
I love setting myself a small, intense reading mission: seven days, one region, a handful of midlist British novels that never quite hit the mass-market headlines but glow when you sit with them. Over the years I’ve built weeklong discovery routes...
I often find that the first barrier to reading translated poetry is not the language itself but a hesitation: will I be reading the poet, the translator, or both? Over the years I’ve learned that the best way into translated poetry is to lean into...
I often find the most thrilling reading discoveries not on bestseller lists but tucked into slim volumes, unusual covers and back-catalogues from independent publishers who keep faith with experiments, marginal voices and editorial risk-taking. If...
I build reading lists the way I pack a small bag for a trip: with attention to mood, a hunger for surprise and a soft refusal to overplan. Rainy weekends and quiet afternoons call for lists that feel like companions—books that suit the rhythm of...
When I think about building a reading guide, I usually start with a single stubborn image or idea that keeps returning to me long after I close a book. A motif — an object, a colour, a weather pattern, a mode of speech — can be a far richer...
When I sit down to interview a writer, I’m not only listening for a soundbite or a publicity quote; I’m tracing a map. That map shows the routes between books, the hidden corners of a writer’s bookshelf, the older texts that taught them craft...
When I first started rooting through the secondhand shelves of a tiny bookshop in Brighton, I kept finding the same thing: novels with dust jackets browned at the edges, author names I recognised from footnotes or literary histories, and blurbs that...
There are books that show you a historical date, a set of facts and figures. Then there are novels that make history feel like a living room you can enter — the creak of a floorboard, the smell of cooking, the small, embarrassing, humane gestures...
I remember the first time I opened a restored edition of a book I had already read in a cheaper paperback: the pages felt like someone had taken a curtain aside and shown me a room I thought I’d known. Restored and annotated editions do something...